1) This book is about art that was collected and commissioned by the East India Company. 2) It looks at landscapes and portraits on canvas, marble statuary and funerary monuments, sandstone Buddhas purloined from sacred sites and metal figurines of Hindu deities. 3) This book will be of interest to departments of art history and colonial history across UK and USA.

This book investigates how the material culture of South Indian courts was perceived by those who lived there in the pre-colonial period. Howes peels away the standard categories used to study Indian palace space, such as public/private and male/female, and replaces them with indigenous descriptions of space found in court poetry, vastu shastra and painted representations of courtly life. Set against the historical background of the events which led to the formation of the Ramnad Kingdom, the Kingdom's material circumstances are examined, beginning with the innermost region of the palace and moving out to the Kingdom via the palace compound itself and the walled town which surrounded it. An important study for both art historians and South India specialists. The volume is richly illustrated in colour.

eBook available with sample pages: 0203221036

Leading writers from many religious traditions describe moments of transformation and growth through their interreligious encounters. This groundbreaking volume gathers an array of inspiring and penetrating stories about the interreligious encounters of outstanding community leaders, scholars, public intellectuals, and activist from the United States, Europe, and the Middle East. With wisdom, wit, courage, and humility, these writers from a range of religious backgrounds share their personal experience of "border-crossing," and the lessons learned from their interreligious adventures. We live in the most religiously diverse society in the history of humankind. Every day, people of different religious beliefs and practices encounter one another in a myriad of settings. How has this new situation of religious diversity impacted the way we understand the religious "other," ourselves, and God? Can we learn to live together with mutual respect, working together for the creation of a more compassionate and just world?

This book investigates how the material culture of South Indian courts was perceived by those who lived there in the pre-colonial period. Howes peels away the standard categories used to study Indian palace space, such as public/private and male/female, and replaces them with indigenous descriptions of space found in court poetry, vastu shastra and painted representations of courtly life. Set against the historical background of the events which led to the formation of the Ramnad Kingdom, the Kingdom's material circumstances are examined, beginning with the innermost region of the palace and moving out to the Kingdom via the palace compound itself and the walled town which surrounded it. An important study for both art historians and South India specialists. The volume is richly illustrated in colour.